The latest content and news from the Barbican. Book tickets at barbican.org.uk
The latest content and news from the Barbican. Book tickets at barbican.org.uk

Eames Spotting: Reimagining the Wire Chair

Tuesday 19 January 2016

Always on the hunt for the ever-inspiring Eameses in every day art and culture, the Eames Office share their latest Eames Spotting blog as they investigate some more unusual takes on the Eameses famed Wire Chair…

‘How much fun would Charles and Ray have had looking over 51 artist adaptations of their iconic Wire Chair? Perhaps it would have been reminiscent of 1950, when Eames friend and painter Saul Steinberg famously drew a cat on an Eames Molded Fiberglass Armchair (on view in The World of Charles and Ray Eames exhibition). Steinberg also re-imagined an Eames La Chaise, drawing a naked lady whose figure follows the curvature of the sleek lounge chair perfectly, further emphasizing its organic shape.

eameschair_gall9

This is the fifth year that Vitra has supported the annual auction benefiting La Source, an organization whose mission is to help underprivileged children find and express themselves through art. In previous years, they have done similar challenges around other famous furniture designs.

The one-offs from this year were temporarily on display at Hôtel de L’industrie in Paris, and sold at auction December 14. Gérard Garouste, the artist who founded the non-profit organization, also took part in the challenge. He chose to do away with the physical chair, opting to create a painting of it instead.

The event has been auctioneered for the past 18 years by Simon De Pury, co-founder of Phillips de Pury & Company. When asked why he though the Wire Chair was an intriguing design to adapt, he explained that, ‘Whether it’s chairs, tables, objects, a pair of sunglasses, every now and then you have one item that becomes completely iconic, so iconic that even if you’re not in that field, it is engrained in your subconscious. The Eames Wire Chair is clearly one of these iconic items. It is interesting to see how each artist reinterprets it in his or her own way, particularly with something that is so much a part of our collective unconscious.’ (Read the full interview from Designo here.)

A long list of prized European designers participated in the challenge this year, including Jasper Morrison, Ronan and Erwan Bouroullec, Matali Crasset, Mathieu Lahanneur, Christian Louboutin, Inga Sempé, Robert Stadler, Philippe Starck, Jeremy Maxwell Wintrebert and many others.

Charles and Ray designed the Eames Wire Chair in 1951 after they began experimenting in bent and welded wire. Inspired by trays, dress forms, and baskets, the Eames Office developed a number of pieces, including the wire version of the single-shell form.

The shell design combines transparent lightness with technological sophistication. Available exclusively from Vitra and Herman Miller, the Wire Chair is offered without upholstery, with a seat cushion, or with a two-piece seat and back cushion that, due to its shape, is nicknamed the ‘Bikini Pad’. Vitra also offers a powder-coated finish that is well-suited for outdoor use.’

Words by Ross Atwood.

Tattoos to Mad Men, guitars to Star Wars – read more Eames Spotting on the Eames Office Blog

The World of Charles and Ray Eames is open until Sunday 14 February

OP Chair by Pierre Yovanovitch © Hugo Miserey
La chaise d’honneur by Christian Louboutin © Hugo Miserey
Pistil Chair by Marianne Guedin © Hugo Miserey
Wire Plant by Noé Duchaufour-Lawrance © Hugo Miserey
Wild Wire by Edouard Francois © Hugo Miserey
Don Quichotte, Charles et Ray Eames by Gérard Garouste © Hugo Miserey
Buttress by Rodolphe Parente © Hugo Miserey

Leave a Reply

Your email address will not be published. Required fields are marked *